Clare Bucknell

It’s opening night at the nationwide Theatre. The radical journalist and manager Amma Bonsu, snubbed for many years because of the social establishment on her uncompromising work (FGM: The Musical; Cunning Stunts), is all about to astonish audiences having a brand new play. The Last Amazon of Dahomey has out of stock prior to the run starts; it features 18th-century lesbian West African warriors, ‘thunderous armies of asking Amazons brandishing muskets and machetes/hollering and inflammation to the audience’. Continue reading “Amma is Clarissa that is n’t Dalloway however, and also this is not a novel about her celebration.”